Across Central and North America, the turtle is at the crux of multiple Indigenous cosmologies. Due to the potency of related teachings, tribes and bands often refer to the continent as Turtle Island. In Ontario, Canada, the popular creation stories that I am familiar with involve Sky Woman, who falls from above and is lowered safely onto the carapace of Grandmother Turtle, floating in the ocean (Watts, V. 2013). Her carapace is made into the world. From the Mayans to the Anasazi to present-day Ojibwe bands in Anishinaabewaki, the turtle shell has also been used as a bone-keratin lunar calendar, marking off 28 days and 13 moons with a numerological precision that dares to be called coincidental. The following is a deep-dive into the teachings of the turtle, contrasting colonial time, including time-space compression (Harvey, 1989; May & Thrift 2003, 6), and Indigenous “event-based time,” (Evans-Pritchard) as deferential to land and seasonality, consubstantial of lifecycles, ceremonies, work, and long winters of storytelling. I will also propose a ‘geography of time’ (Glennie & Thrift, 1996: 280; May & Thrift 2003, 3) wherein the turtle calendar is playfully mapped over the downtown core of the City of Toronto as a means of engagement and resurgence. Exploring the Pagan and Christian underpinnings of apocalyptic notions of European calendar-time in contrast with Archaeoastronomy of urban planning in abandoned settlements such as Chaco Canyon, I will also expand on the ways in which all time is co-created and participatory, and how reckoning-time, or the automated clock, has the psychological effect of making people feel unneeded in the project of time-creation. In the following paper I will explore the teachings of the lunar calendar on the turtle’s back through reimagining downtown Toronto as a carapace, which is both an act of cartographic anarchy and a gesture of allyship.
Turtles in the Northeast
All across Anishinaabewaki, from Ontario to Alberta, the lunar calendar (Gookomisinaan bibik-giizisomazina’igan) is still being followed on the (empty) backs of turtles. In Anishinaabemowin, the turtle is called Ookomisan, meaning Grandmother. This relates to the moon being the coordinator of female menstrual cycles. This variant of the 13-moon calendar could be Ookomisan calendar, or Grandmother calendar (Zhaawano 2023), in Anishinaabemowin.
The carapace of Chrysemys picta, the common Painted turtle found around North America, has 13 large sections called scutes (Zhaawano 2023) in the center, with 28 smaller segments rimming the carapace like the brim of a hat. Multiplying 28 x 13, the carapace gracefully accounts for 364 days across 13 moons, or ‘months’, each with many names significant to the idea of time as participatory.
In Anishinaabemowin, the 13 moons are often named after climatic events, such as Hard Crust on the Snow Moon (January-February), or the springtime appearance of plants or animals, such as Showing Buds Moon (March-April) or Blueberry Moon (June-July). Other titles recommend practical, communal labor, such as Sugar Making Moon (February-March), or Planting Moon (April-May). The technology of the calendar is a loose fit, and its teachings have grown to take account of diverse seasons, landscapes, and languages, from Ontario to Alberta, within Anishinaabewaki (Zhaawano 2023). In the USA, the Cherokee (“Cherokee Calendar” 2023) and Hopi also use the turtle’s shell, as do some Indigenous Mayans. For the Anishinaabe alone, December has 8 possible names — including post-contact titles like Big Church Days Moon, Feast Abundantly Days Moon. January may sometimes be called Welcoming Each Other Moon as an observance of how Settlers rang in a new year (Zhaawano 2023).
While others count days from new moon to new moon, Anishinaabe count from full moon to full moon, with each ‘year’ beginning in the springtime. A new ‘year’ or ‘cycle’ is the full moon that sets the maple syrup flowing (Zhaawano 2023).
How people tell time, whether as indicative-time, using seasonal events as measure but also relying on a knowledge-keeper to declare the moons, or as reckoning-time, which is inflexible and, in the case of clocks, automated — these are considerations within the ‘social theory of time’ (May & Thrift 2003, 2). The role of knowledge-keepers in selectively imparting teachings to other members, or opting out through the ethnographic refusal, is socio-cultural, possibly kinship-related, more than it is entirely concerned with time, in a strict sense. According to Elsie Clews Parsons, Southeastern Indigenous communities, it is the responsibility of certain individuals to watch both the sun and the moon carefully (Walton 2012, 341).
Anecdotally, as one who keeps track of Grandmother calendar myself, I worry that I am doing it wrong — and undoubtedly in some ways I have been. However, every graphic representation of Grandmother calendar seems different than the one before, and names for moons are endlessly creative, even within Toronto alone. A degree of intercalation, or subjective recalculation, is common. Not random, intercalation is typically the duty of one person or group of people declaring how many moons in a ‘year’, and when ‘days off’ might fall. Also, in the case where salmon are still arriving long after the Salmon Moon, a time-keeper should declare that the Salmon Moon has been extended (Iwaniszewski 2012, 317). The work of intercalation is not for the flippant though, as one could be blamed for crop failures or worse (Walton 2012, 341).
As for Grandmother calendar’s value for resurgence, switching over to lunar could be compared to dancing to a new beat. As with dance, poetry, or song, such new syncopations require the simulated death of a previous rhythm and way of being, the tyrannical Gregorian calendar and the clock. These lunar rhythms are felt as a challenge to “a male philosophy based on activity,” (May & Thrift 2003, 37).
As Marx predicted, technology, but especially transportation, will turn location into abstraction (May & Thrift 2003, 7), as was observed when trains first began to crisscross Turtle Island. In contrast, the moon foregrounds a feminine passivity that is a different and more valuable form of inaction, concerned with enriching “scenes of now” (Conley, 1944: xiii; May & Thrift 2003, 37). If time and the Gregorian calendar are seen as automated, objective, or at least contra-subjective – only ebbing slightly to encompass the shift of daylight hours once a year — then the Gregorian calendar time and clock time do not need human beings. In denial of the co-constitutive nature of modern temporalities, humanity emerges as great nonparticipants without a cosmic duty to perform (Weinberg, 1988:154; Loy 2000, 276).
The 13 Moon Lunar Calendar & Climate Change
Sometimes the story of Sky Woman is embellished with a cautionary tale wherein the great turtle threatens to slip into the ocean if we do not treat the turtle (Earth) with respect. The waters will rise. The turtle is climate-aware. Likewise, the lunar cycle that used to fall between April and May has long been called the Broken Snowshoe Moon, cautioning people who wish to go out on the land as the snow and the ice have begun to recede. In recent years, Broken Showshoe Moon (Bebookwedaagime-giizis/Pokwaagami-giizis) (Zhaawano 2023) has become synonymous with climate change and has come to overlap or even usurp the place of neighboring moons entirely.
Amitav Ghosh’s (2016) The Great Derangement: Climate Change and the Unthinkable is one man’s search for signs of awareness of a slow-paced threat, a climatic ‘villain’, in the collective imagination — across fiction, folklore, and myth. Ghosh concludes that there are not any noteworthy examples. However, Ghosh may have overlooked the Anishinaabe pre-contact story about the wiindigoog, often transliterated as “wendigo.” In one pre-contact tale, Wendigo created the winter, the glaciers, polar caps, and the seasons, setting in motion the calendar of Anishinaabewaki. Such stories participate, through relationality, to color Grandmother calendar with awareness of the fragility and importance of the long-term threat of climate change, and its effects on generations to come (Zhaawano 2023).
Proposal
As a Settler in Toronto, I should acknowledge the keepers of this knowledge. For the Greater Toronto (Treaty 13) Area, these bands are the Mississaugas, the Wendake-Nionwentsïo, the Anishinaabe or Anishinaabewaki, and the Haudenosaunee Confederacy (Temprano 2024).
Presenting Toronto’s downtown core as a turtle-shaped calendar is foremost a mnemonic device, but also the action of making-living timespace (May & Thrift 2003, 4), a geography of time (Glennie & Thrift 1996, 280; May & Thrift 2003, 3), and an imagining of one’s way into the continent (Sheridan & Longboat 2006). The austere geometry of a shell laid out across a city would entice the foreigner to learn more, and for the more knowledgeable, would foster a sense of grounded-normativity – to borrow a term also useful in the allied project of queering (Colthard; Simpson 2017).
Above ground, the main streets of Bloor, Wellesley, College, Dundas, Queen, King, and Front, running from East to West, act as the main sutures between the scutes of the shell. With some imagination, the outer edge of the shell aligns with the rounded yellow line of the Toronto Transit Commission (TTC). Taking this idea further, Union Station is where full moons could be celebrated, and the northern Bay Station is where crescent moons could be recognized.
At the end of one moon and the start of the other, followers of Grandmother calendar could ride the TTC in a counterclockwise orbit around the downtown, as I have before — merely to connect to the cyclicality of lunar rhythms, and to understand the calendar-city hybrid. To bring this idea into the public, custom posters could be placed at each station to explain the concept, and one’s position in the calendar-city. I have already presented the idea in a series of Tiktok videos that have been well-received by people around Turtle Island, and it was welcomed by multiple Indigenous Tiktokkers, some as far away as Alberta. The next step is for me to pilgrimage to these stations on appropriate days to take short videos explaining the concept. Perhaps in participation with platforms like First Story Toronto (“First Story Toronto”), stories of the Indigenous significance of an area would add value to the concept too.
Theory
The more objective time is for us, the more subjective (alienated) is the sense of self … which therefore uses time in order to try to gain something from it … [and] the greater, too, is one’s awareness of the end of one’s own time. Our own sense of separation from time motivates us to try to secure ourselves within it … the only satisfying solution is the essentially religious realization that we are not other than it (Loy 2000, 278).
May & Thrift (2003) suggest that mind is the creator of time, and that time is only concerned with duration. To measure time is therefore to describe one’s own being on an otherwise timeless-land (Antliff, 1999: 188; May & Thrift 2003, 30). To answer to this, Australian Aborigines chose sound, or songlines, sung at the tempo of their step (May & Thrift 2003, 33), transforming the outback into a geography of time, or a mandala, to borrow a Pan-Asiatic concept. On the other hand, Europe drew on knowledge of space and the heliocentric solar system to create the clock, round as the face of the sun, wherein the minutes orbit the hours, transmuting time into a materiality (May & Thrift 2003, 30).
While Antliff (1999) in May & Thrift (2003) were trying to decolonize time, their observations reveal an inherent bias against animism. The idea of time relying on mind and duration (lifespan) is both ego- and bio- centric and at odds with the traditionally Indigenous notion that even a stone or a river has a spirit. Prior to Sky Woman’s descent, prior to Grandmother Turtle and the other animals, was there no time?
To synthesize Indigenous notions of animism together with scientism and the idea of mind as time — it is also believed that color could have been the first indication of time on the planet – sunset colors, red leaves, darkening skies, white snow, or perhaps the chemical process of cooling magma fading from neon orange to blood red, then black. Others prefer to focus on rhythm (Antliff, 1999: 188; May & Thrift 2003, 30), dripping water, spring thunder, and after the arrival of animal life, the polyphony of corporeality, wherein the heart is fast, the breath is slower, and walking pace falls in between.
According to Durkheim (1915), “the calendar first traces then shapes” that which it is timing — like the clock, which shifted from time-indication to time-reckoning long ago (May & Thrift 2003, 4). The need for an alternative calendar emerges from the irreconcilability of time-indication, such as the first thunderclap of spring, spring peepers, the first red leaves on a tree, or a waxing gibbous moon — and time-reckoning, which is durative, numerical, aided by guide-marks or divide-marks, or perhaps the reign of a certain president. According to Hallpike and Lucas, clocks were likely mere time-indications to start with (Iwaniszewski 2012, 312) — as I would say they still are in parts of the world spared from colonialism. Apart from these oasis, however, clocks have risen to have tyrannical power.
Paganism and Apocalypse in European Time
In his study of apocalyptic time, Thompson (1996) writes that the Anglo-Saxon understanding of time includes an attempt to reckon with the inevitability of death (the end of duration and time), though it also favors fantasies about a destiny outside of mortality, outside of time (Loy 2000, 332). How concrete is a sense of time that also seeks to escape itself?
The belief that mankind has reached the crucial moment in its history reflects an unwillingness to come to terms with the transience of human life and achievements. Our urge to celebrate the passing of time fails to conceal an even deeper urge to escape from it (Thompson 1996; Loy 2000, 332)
Traditional Christian temporalities relate to what Thompson (1996) calls apocalyptic time, anticipating both the End of Times and the return of Christ (Loy 2000, 264) – or perhaps the fever dream of Revelations. Westward expansionism, manifest destiny, the frontier, wilderness – these act as a synecdoche for progress (May & Thrift 2003, 40) – as the arrow of time. Along these lines, Bergson claims that ‘real time’ is a privileged dimension of the new, of a continual expansion, of an opening up (May & Thrift 2003, 22).
Many early American Churches were built so that, to face the altar from the nave, one stood in the East and faced the crucifix in the direction of one’s manifest destiny in the West. Praying towards the West is a Pagan tradition from “sun worship buried deep in our past” (Aveni, 1995: 263-4; Loy 2000, 268). Ironically, as Settlers moved West, Paganism was both temporally and spatially left behind in the “Old World,” as if Settlers expected to fall off the edge of the world. Settler colonialism still marches forward in what Clark (1973) refers to as the “‘moving ego’ (ME) metaphor,” in which a holiday is said to be ‘coming up’ on a person, or the summer ‘passed you by’ (Sinha & Bernárdez 2014, 315).
Finally, the Enlightenment challenged strict Biblical inerrancy, resulting in grandiose schemes to both improve and conquer, or save, new environments and cultures. As though undermined by its past apocalyptic underpinnings, however, the gross failure of Western stewardship has led only to crises, ecological and otherwise (Loy 2000, 264). Thompson (1996) notes the trend to see progressive, New Testament ideas as antithetical to old notions of an angry God threatening apocalypse (p. 57; Loy 2000, 271). However, according to Christopher Hill, Protestant reforms only resulted in postponing the golden age. With perpetual deferral, the present becomes a massive make-work project of continuous reforms, heavily reliant on the scientific optimism of Bacon and others (Hill, 1980: 58; Loy 2000, 271) to bring about the golden age. Techno-optimism and other delusions only encourage people to accept an increasingly dissatisfactory present-as-project. What has now become sadly idiomatic, that it is easier to imagine the apocalypse than the end of capitalism, is in itself a description of a temporality of perpetual deferral and perpetual work that values delayed satisfaction over everything else.
To finish this account of Western time, it is necessary to address the illusion of time-space compression often associated with late-stage capitalism. While the worker may feel bound to a faster tempo, it is not always the case that they can afford the faster means of transportation required to compress space, however. Workers often suffer from a classist absence of the right kind of time-space compression, from time to time (May & Thrift 2003, 14). Shields (1992), writes that what is felt as time-space compression arises from the effects of being alienated from place-time (May & Thrift 2003, 9), perhaps due to busy schedules, hypnotic technologies, the magic of the moving picture, and faster transportation, where affordable, as well. In relation to the general theory of relativity, time-space compression is happening for some but not others. It is subjective, as space-time is, and depends on one’s own person (Sinha & Bernárdez 2014, 12) — but also one’s culture and one’s calendar.
Broad History & Archaeoastronomy
The oldest found object rendering the lunar count is an incision on a bone plaque, an archaeological ‘polisher’ from the site of Blanchard (Dordogne, France) dated around 29,000 – 28,000 BCE (Iwaniszewski 2012, 314). Not only ancient, calendrical-thinking is widespread. In Patagonia, a 13-moon calendar (whether it utilizes the turtle’s shell would require more research) has been adapted to inverted seasons (Iwaniszewski 2012, 325). As for agricultural practices, by and large, a waxing moon is associated with crop growth, and harvest waits for the moon to wane (Iwaniszewski 2012, 325)
According to Zhaawano (2023), the turtle calendar is only one of three ways that Anishinaabe keep track of time. Others are the oondaadesewin giizhigadoo-mazina’igan (“Generations Calendar”) or mashkiki dibik-giiziso-mazina’igan (“Medicine Lunar Calendar”). Zhaawano notes a speculation among the followers of these other calendars that the turtle calendar is the latest mode of telling time (before the Gregorian calendar). Zhaawano notes that the turtle calendar may not have been around before 900 CE, coinciding with the first arrival of the Norseman. These intriguing speculations also require more research.
While some researchers insist that the lunar turtle shell calendar hatched in the American Southwest, others claim it was disseminated from Mesoamerica northwards (Iwaniszewski 2012, 321). I personally see no reason that these monogenetic explanations have to be mutually exclusive, seeing as cultural flow from Mesoamerica could have been mediated through hubs like Chaco Canyon, then disseminated en masse after its collapse. After the great fire, the Anasazi merged with Hopi and Puebloan tribes, among others. The Hopi’s lunar calendar likely still carries the teachings of Chacoans (Walton 2012, 340). In the Southwest, however, perhaps as there are a lack of severe winters, solstices and constellations are relied on much more than moons (Iwaniszewski 2012, 319).
In modern Mesoamerican languages, the words “moon” and “month” are the same, but according to some researchers, there is no evidence that a lunar calendar was ever used in Central America (Iwaniszewski 2012, 320). According to José & Lloydine Argüelles (2023) in their self-published book, Thirteen Moons in Motion: A Dreamspell Primer, however, the 13 moon turtle shell calendar was commonly used alongside the more popular solar calendar of the Mayan civilization. José & Lloydine Argüelles recount a playful myth that was used to calibrate the lunar calendar and the solar calendar to compensate for inevitable drift – the likes of which I have not read anywhere else.
Turtle Island gauges its direction by two spins. The 365-day solar spin measured by the thirteen moons goes one direction. Another spin of 260 days goes the other direction. It is the 260-day counter-spin that is the measure of the thirteen moons.
The 260 day count is the tzolkin or sacred count of the ancient Indigenous Maya. The 365-day spin anchors Turtle Island to the sun. The 260 day counter spin anchors Turtle Island to the galaxy and cosmic time. The 260 day-count is the galactic standard of time. The calendar of colonialism could know nothing of the galactic standard because it is based on twelve months and not thirteen moons. (Argüelles 2023)
Wherever these teachings began, and however they spread, space and distance were not the only variables. Coming together under one calendrical system would also require cosmological similarities, linguistic similarities, and even kinship systems (Sinha & Bernárdez 2014, 321). Where a calendar originated could be less important than how it was adapted, how the names of the moons were changed, and its embellished significance in different hands, at different latitudes.
Archaeoastrological Geographies of Time & Calendar-Mandalas
From the Incan Empire, the Temple of the Sun in Cusco, Peru, is the earliest known example of a large-scale geography of time. Forty-one straight lines, called ceques, radiate out from the temple and towards the horizon (Iwaniszewski 2012, 324). Due to their resemblance to quipus, a tallying system not unlike beaded wampum in the Northeast, these geoglyphic lines were a tally too (Iwaniszewski 2012, 324) — but of what? The number of days in an Incan year was once 328. Divided by 41 lines, 328 yields 8, or the number of days in an Andean week. Furthermore, 328 days would also have accurately measured a full cycle of 12 lunar sidereal months (Iwaniszewski 2012, 324).
As for the city of Chaco Canyon, this was clearly a lunar-oriented locale. Its lunar-oriented architectural trends are perpetuated in Puebloan cultures, focusing on the crescent moon’s significance in agriculture (Walton 2012, 331). Chaco’s Chimney Rock Great House has two spires between which an event known as the ‘lunar standstill’ occurs every 18.1 years – as does the Cottonwood Falls Great House in Utah, where the same lunar standstill was incorporated into the architecture (Walton 2012, 335).
To remediate systemic issues within clock-time and the Gregorian calendar, Latour suggests the notion of ‘historicity’ instead of mere time. Historicity, to Latour, incorporates the element of space, or ‘spacificity’ (May & Thrift 2003, 28). Such ideas may be useful in the activity of making-living timespace (May & Thrift 2003, 4). The key to this is recognizing that we are all agentive and culpable in creating a sense of time, but that this involves more than rearranging one’s schedule.
The Gregorian calendar is a hypnotic spell which holds all the unresolvable issues of history hidden in its illogical sequence of days, weeks, months, and years. Following this calendar can only lead to the place where we find ourselves today: a season of apocalypses, where disaster, ignorance, and error perpetuate themselves in grinding mindlessness.
… In this lies the rise of the gargantuan, many-headed hydra of materialism which reduces humans to enslavement to a material technology and degrades the planetary environment without hope of any other economic lifestyle options.
Turtle says: Turtle Island is now passing out of the Dreamspell of colonialism into the Dreamspell of galactic time, the source of all indigenous wisdom and knowing. A Dreamspell is what we create together in time. Colonialism was one Dreamspell. The way of the thirteen moons is another Dreamspell (Argüelles 2023).
Resources
- pimaki.ca an elegant and interactive 13 moon turtle shell calendar from the Ojibwe Nations of Manitoba.
- Zhaawan Giizhik’s “Dance of the 13 moons” thank you Zhaawan Giizhik (2023) for the thick description of the Anishinaabewaki / Ojibwe calendar.
- The Gregorian Calendar Unmasked presents segments from José & Lloydine Argüelles’s fascinating book Thirteen Moons in Motion: A Dreamspell Primer, which is both an account of the significance of the 13 moon lunar calendar to the Mayans and a call to return to the teachings of the turtle.
- Ontario Parks: The Lunar Calendar on a Turtle’s Back Ontario Park’s simplified presentation of the Grandmother calendar mentions the Haudenosaunee and Anishinaabe, but is nevertheless cited in the Wikipedia page for “Cherokee Calendar,” below.
- Cherokee Calendar Wikipedia the Cherokee lunar calendar Wikipedia complete with moon names and citing the Ontario Parks blog article, which indicates the lack of online resources concerning this teaching.
- The Oneida Language “13 Moons Turtle Island” Oneida’s 13 moon turtle shell calendar with names of moons and accompanying PDFs.
References
“Cherokee Calendar.” Wikipedia, 30 Nov. 2023, http://en.wikipedia.org/wiki/Cherokee_calendar#:~:text=The%20Cherokee%20calendar%20is%20traditionally. Accessed 12 Apr. 2024.
“First Story Toronto.” First Story Toronto, http://firststoryblog.wordpress.com/.
Ghosh, Amitav. The Great Derangement: Climate Change and the Unthinkable. Chicago, The University of Chicago Press, 2016.
Loy, David R. “Saving time: a Buddhist perspective on the end.” Contemporary Buddhism 1.1 (2000): 35-51.
May, Jon, and Nigel Thrift, eds. Timespace: geographies of temporality. Vol. 13. Routledge, 2003.
Sheridan, J., & Longboat, D. (2006). The Haudenosaunee Imagination and the Ecology of the Sacred. Space and Culture, 9(4), 365–381.
Simpson, Leanne Betasamosake. (2017). As we have always done: Indigenous freedom through radical resistance. Minneapolis: University of Minnesota Press: Chapter 8 “Indigenous Queer Normativity”, pp. 119-144.
Sinha, Chris, and Enrique Bernárdez. “Space, time, and space–time: metaphors, maps, and fusions.” The Routledge handbook of language and culture. Routledge, 2014. 309-324.
Temprano, Victor. “Welcome.” Native-Land.ca, http://native-land.ca/. 2024.
Walton, James. “Lunar Ceremonial Planning in the Ancient American Southwest.” Living the Lunar Calendar. Oxford: Oxbow Books (2012).
Watts, V. (2013). Indigenous place-thought & agency amongst humans and non-humans (First Woman and Sky Woman go on a European world tour!). Decolonization: Indigeneity, Education & Society, 2(1), 20-34.
Zhaawano, Giizhik. “Dance of the 13 Moons: An Introduction to the Lunar Calendar of the Anishinaabe Peoples.” ZhaawanArt, 15 May 2023, www.zhaawanart.com/post/dance-of-the-13-moons.